Hewlett-Woodmere Public Library Readers Group

Tuesday, February 8, 2011

The Three Weissmanns of Westport by Cathleen Schine

Monday, March 7, 2011 1 p.m.

Discussion Leader: Ellen Getreu

Like Jane Austen's Sense and Sensibility, but modern! With middle aged and elderly women! Betty Weissmann is 75 when her husband decides that they have irreconcilable difference and seeks solace in the arms of another woman. Not only is Betty abandoned, but she is also kicked out of her beautiful apartment "until the divorce settlement comes through". Stunned, grieving, she retreats with her daughters (sensible Annie and emotional Miranda) to a cottage by the ocean, and that's where the adventure really begins!

Reserve your copy of The Three Weissmanns of Westport on ALIScat.org

Readers Packet for The Three Weissmanns of Westport - prepared by the Hewlett-Woodmere Public Library Staff

Book Reviews from the NovelistPlus database

BookList:: It may be hard to envision a novel of manners set in our ill-mannered times, but accomplished author Schine has captured the essence of Sense and Sensibility and dropped it into today’s Manhattan and Westport. The Weissmanns, elderly mother and two mature daughters driven to penury by divorce and career reversals, must rely on the beneficence of Cousin Lou for the shabby roof over their heads. Annie, still modestly employed as a librarian, has both salary and an apartment to sublet, so it falls to her to provide the income for the three. Alas, the other two spend money as if it were still the old days. Mother Betty affects widowhood as it is easier than the pending divorce. Sister Miranda finds inappropriate love. The wide-ranging cast of characters—fools, scoundrels, poseurs, the good-hearted, and secret heroes—provides interesting interplay.Wild coincidences abound, so that Manhattan, Westport, and Palm Springs are but mere extensions of the classic drawing room. There is sadness but also love in this thoroughly enjoyable, finely crafted modern novel. -- Hoover, Danise (Reviewed 01-01-2010) (Booklist, vol 106, number 9, p47)
Publishers Weekly:: A geriatric stepfather falls in love with a scheming woman half his age in Schine's Sense and Sensibility –flecked and compulsively readable follow-up to The New Yorkers . Betty Weissman is 75 when Joseph, her husband of nearly 50 years, announces he's divorcing her. Soon, Betty moves out of their grand Central Park West apartment and Joseph's conniving girlfriend, Felicity, moves in. Betty lands in a rundown Westport, Conn., beach cottage, but things quickly get more complicated when Betty's daughters run into their own problems. Literary agent Miranda is sued into bankruptcy after it's revealed that some of her authors made up their lurid memoirs, and Annie, drowning in debt, can no longer afford her apartment. Once they relocate to Westport, both girls fall in love—Annie rather awkwardly with the brother of her stepfather's paramour, and Miranda with a younger actor who has a young son. An Austen-esque mischief hovers over these romantic relationships as the three women figure out how to survive and thrive. It's a smart crowd pleaser with lovably flawed leads and the best tearjerker finale you're likely to read this year. (Feb.) --Staff (Reviewed December 21, 2009) (Publishers Weekly, vol 256, issue 51, p36)
Library Journal:: Drawing on Jane Austen's Sense and Sensibility , Schine (The New Yorkers ) has written a witty update in which a late-life divorce exiles Betty Weissmann and her adult daughters, Annie and Miranda, from a luxurious life in New York to a shabby beach cottage in Westport, CT. Annie is the serious daughter and Miranda the drama queen. Both women find unexpected love, while Betty, a sweet, frivolous spendthrift, struggles with her newly impoverished state. What comfort the Weissmanns enjoy is owing to the generosity of Cousin Lou, a Holocaust survivor and real-estate mogul, whose goal in life is to rescue everyone, whether or not rescue is needed. While beautifully preserving the essence of the plot, Schine skillfully manages to parallel the original novel in clever 21st-century ways—the trip to London becomes a holiday in Palm Springs; the scoundrel Willoughby becomes a wannabe actor. VERDICT Austen lovers and those who enjoyed updates like Paula Marantz Cohen's Jane Austen in Boca and Jane Austen in Scarsdale should appreciate this novel. [See Prepub Alert, LJ 10/15/09.]—Andrea Kempf, Johnson Cty. Community Coll. Lib., Overland Park, KS --Andrea Kempf (Reviewed January 15, 2010) (Library Journal, vol 135, issue 1, p93)
Kirkus:: Already recognized for her own witty romantic comedies of manners, Schine (The New Yorkers, 2008, etc.) joins the onslaught of Austen imitators.Upper-middle-class, mostly Jewish New Yorkers take the place of British gentry in this Sense and Sensibility riff. After 48 years of marriage, 78-year-old Joseph Weissman leaves his 75-year-old wife Betty for Felicity Barrow, a younger woman with whom he works. Although Josie (as his stepdaughters call him) repeatedly swears he wants to be generous to Betty, Felicity manipulates him into closing Betty's credit-card accounts and forcing her out of the Weissmans' Upper West Side apartment she herself paid for decades ago. Fortunately, kindly Cousin Lou lends Betty his abandoned cottage in Westport, Conn., and Betty's daughters, outraged on their mother's behalf although they don't stop loving Josie, move in with her. Romantic, never married but often in love, 49-year-old Miranda is in dire financial straits herself, as scandals concerning the memoirists she represents threaten to bankrupt her literary agency. Sensible Annie, briefly married and long divorced, has successfully raised two sons while working at a privately endowed library. Now living in stoic loneliness, she has begun to fall in love with famous author Frederick Barrow, who happens to be Felicity's brother and whose grown offspring jealously guard his affections. In Westport, Annie is hurt when Frederick practically ignores her at a gathering at Cousin Lou's. Meanwhile, Miranda has an affair with the handsome young actor next door and falls seriously in love with his two-year-old son. Feisty Betty begins to refer to herself as a widow. In true Austen fashion, love and money conquer all, although Schine adds some modern sorrow and a slightly off-putting disdain for her male characters, who range from narcissistically foolish to, in what passes for the romantic hero, pragmatic and unoffending. Infectious fun, but the tweaked version never quite lives up to the original. (Kirkus Reviews, December 1, 2009)

Further Reading:

Monday, January 10, 2011

The Irresistible Henry House by Lisa Grunwald

Monday, February 7, 2011 1 p.m.
Discussion leader: Candace Plotsker-Herman

In the mid-twentieth century in a home economics program at a prominent university, real babies are being used to teach mothering skills to young women. For a young man raised in these unlikely circumstances, finding real love and learning to trust will prove to be the work of a lifetime. From his earliest days as a "practice baby" through his adult adventures in 1960s New York City, Disney's Burbank studios, and the delirious world of the Beatles' London, Henry House remains handsome, charming, universally adored--and never entirely accessible to the many women he conquers but can never entirely trust.

Reserve your copy of The Irresistible Henry House on ALIScat

Download the Readers' Packet, prepared by the Hewlett-Woodmere Public Library staff

Reviews from the NovelistPlus database:

BookList:: In 1946 Martha Gaines ran the practice house—a home-economics program for teaching young women how to be mothers—at Wilton College. Many babies passed through the house, but only Henry captured Martha’s heart, and she decided to keep Henry to raise as her own. At the tender age of 10, Henry finds out who his real mother is, and his life takes a turn from which he can’t recover. Hating Martha for lying to him, Henry begins planning his escape from the practice house and ultimately from Martha. What follows is a fascinating chronicle of his wandering life—from a boarding school for troubled teens to a cramped apartment with his birth mother in New York, the artists’ bull pen at Disney studios, the streets of London, and finally back home to Wilton College, where he can make peace with what Martha did to him so many years ago. Grunwald has created a wonderfully well-written story about a charming, lovable man who must learn to trust and love the women in his life. -- Kubisz, Carolyn (Reviewed 02-01-2010) (Booklist, vol 106, number 11, p26)
Publishers Weekly:: /* Starred Review */ Like T.S. Garp, Forrest Gump or Benjamin Button, Henry House, the hero of Grunwald’s imaginative take on a little known aspect of American academic life, has an unusual upbringing. In 1946, orphaned baby Henry is brought to all-girl’s Wilton College as part of its home economics program to give young women hands-on instruction in child-rearing (such programs really existed). Henry ends up staying on at the practice house and growing up under the care of its outwardly stern but inwardly loving program director, Martha Gaines. As a protest against his unusual situation, Henry refuses to speak and is packed off to a special school in Connecticut, where his talents as an artist and future lover of women bloom. After he drops out of school, Henry finds work as an animator, working on Mary Poppins , then on the Beatles’ Yellow Submarine . With cameos by Dr. Benjamin Spock, Walt Disney and John Lennon, and locations ranging from a peaceful college campus to swinging 1960s London, Grunwald nails the era just as she ingeniously uses Henry and the women in his life to illuminate the heady rush of sexual freedom (and confusion) that signified mid-century life. (Mar.) --Staff (Reviewed October 5, 2009) (Publishers Weekly, vol 256, issue 40, p3)
Library Journal:: For several decades beginning in the 1920s, some college home economic departments had practice houses, complete with practice babies for students to learn scientific principles of child and home care. The babies were orphans who spent a year tended by students before being adopted. Grunwald explores what life might have been like for one such baby. Henry House, the tenth Wilton College practice baby, earns his title of irresistible by learning early how to please eight different mothers. He's a master at keeping women engaged while never showing a preference. He learns how to imitate but not to create, a skill that helps him become a competent cartoon illustrator but not a true cartoonist. Not until he comes close to losing the one friend who knows him best does he begin to break the patterns learned as a baby. VERDICT This welcome variation of coming-of-age tales shares with Grunwald's previous novels (Whatever Makes You Happy; Summer ) a compelling web of characters and emotions that will please will please the author's fans and readers interested in novels with emotional depth. [Library marketing; ebook available 3/10: ISBN .]—Jan Blodgett, Davidson Coll. Lib., NC --Jan Blodgett (Reviewed November 15, 2009) (Library Journal, vol 134, issue 19, p60)
Kirkus:: /* Starred Review */ A "practice baby" grows up to be the most indifferent guy, in this multilayered new novel from Grunwald (Whatever Makes You Happy, 2005, etc.).As the baby boom begins in 1946, fictional Wilton College in Pennsylvania works hard to prepare young women for that all important MRS. degree. It even provides a home economics "practice house," where coeds can hone their mother craft by caring for an infant on loan from the local orphanage. Each foundling is surnamed House by decree of Wilton's middle-aged, widowed and childless doyenne of domestic science, Martha Gaines. Three-month-old Henry, the current rental baby, is diapered, bathed and bottle-fed by alternating shifts of college students under Martha's hypercritical supervision. Though she's firmly wedded to the parenting wisdom of that era (e.g., babies must be trained, not indulged), Martha finds long-dormant maternal yearnings awakened by winsome Henry. Through guile and well-placed blackmail she adopts him, and he remains at Wilton under the care of successive practice mothers. Manipulating multiple moms teaches Henry to view women as interchangeable pushovers. Female demands—especially Martha's—repel him. A talented artist, Henry finds a haven with his beatnik art teachers in boarding school, until the birth of their child displaces him. His birth mother Betty, now a Manhattan career girl, offers temporary asylum from Martha, then unceremoniously abandons him. He finds work in Hollywood as a Disney animator, painting penguins for Mary Poppins (another story about a mother substitute). Then he moves on to London at the height of the Swinging Sixties to help animate the Beatles' Yellow Submarine. Henry is both irresistible and impervious to women other than his childhood friend Mary Jane, adept at the approach-avoidance game that is his Achilles' heel. Then, one day Henry meets his narcissistic match in another former practice baby. The near-omniscient narration perfectly suits this story, which often reads like a rueful but wry case study of nurture as nightmare. (Kirkus Reviews, January 1, 2010)

Monday, December 13, 2010

Major Pettigrew's Last Stand by Helen Simonson

January 10, 2011 1 p.m.

Discussion Leader: Edna Ritzenberg

Major Ernest Pettigrew (retired) leads a quiet life in the village of St. Mary, England, until his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But will their relationship survive in a society that considers Ali a foreigner?

Reserve Your Copy of Major Pettigrew's Last Stand in ALIScat

Readers' Packet for Major Pettigrew's Last Stand

Reviews from the NoveListPlus database:

BookList:

Change is threatening the little world of Edgecombe St. Mary. Lord Dagenham is about to sell off part of his ancestral estate to developers, and Pakistanis have taken over the village shop. Major Ernest Pettigrew is definitely old school, but he has been lonely since his wife died, and though he is is prey to various unattached ladies it is with shopkeeper Mrs. Ali that he forms a bond, nourished by their mutual interest in literature. Meanwhile, his ambitious son Roger comes to town with a sleek American girlfriend and starts renovating a nearby cottage. And the village ladies are busy hatching plans for the annual Golf Club dance, for which this year’s theme is “An Evening at the Mughal Court.” There is a great deal going on in these pages—sharply observed domestic comedy, late-life romance, culture clash, a dash of P. G. Wodehouse, and a pinch of religious fundamentalism. First novelist Simonson handles it all with great aplomb, and her Major, with his keen sense of both honor and absurdity, is the perfect lens through which to view contemporary England. -- Quinn, Mary Ellen (Reviewed 02-15-2010) (Booklist, vol 106, number 12, p37)

Publishers Weekly:

In her charming debut novel, Simonson tells the tale of Maj. Ernest Pettigrew, an honor-bound Englishman and widower, and the very embodiment of duty and pride. As the novel opens, the major is mourning the loss of his younger brother, Bertie, and attempting to get his hands on Bertie's antique Churchill shotgun—part of a set that the boys' father split between them, but which Bertie's widow doesn't want to hand over. While the major is eager to reunite the pair for tradition's sake, his son, Roger, has plans to sell the heirloom set to a collector for a tidy sum. As he frets over the guns, the major's friendship with Jasmina Ali—the Pakistani widow of the local food shop owner—takes a turn unexpected by the major (but not by readers). The author's dense, descriptive prose wraps around the reader like a comforting cloak, eventually taking on true page-turner urgency as Simonson nudges the major and Jasmina further along and dangles possibilities about the fate of the major's beloved firearms. This is a vastly enjoyable traipse through the English countryside and the long-held traditions of the British aristocracy. (Mar.) --Staff (Reviewed January 4, 2010) (Publishers Weekly, vol 257, issue 1, p1)

Library Journal:

/* Starred Review */ Sixty-eight-year-old Maj. Ernest Pettigrew has settled into a genteel life of quiet retirement in his beloved village of Edgecombe St. Mary. Refined, gentlemanly, unwaveringly proper in his sense of right vs. wrong, and bemused by most things modern, he has little interest in cavalier relationship mores, the Internet, and crass developments and is gently smitten by the widowed Mrs. Ali, the lovely Pakistani owner of the local shop where he buys his tea. After the unsettling death of his brother, Bertie, the Major finds his careful efforts to court Mrs. Ali (who shares his love of literature) constantly nudged off-course by his callow son, Roger; a handful of socialite ladies planning a dinner/dance at the Major's club; and the not-so-subtle racist attitudes his interest in Mrs. Ali engender. VERDICT This irresistibly delightful, thoughtful, and utterly charming and surprising novel reads like the work of a seasoned pro. In fact, it is Simonson's debut. One cannot wait to see what she does next. [See Prepub Alert, LJ 11/15/09.]—Beth E. Andersen, Ann Arbor Dist. Lib., MI --Beth E. Andersen (Reviewed December 15, 2009) (Library Journal, vol 134, issue 20, p101)

Kirkus:

Set-in-his-ways retired British officer tentatively courts charming local widow of Pakistani descent.Shortly after being informed that his younger brother Bertie has suddenly passed away from a coronary, Maj. Ernest Pettigrew answers his door to find Mrs. Ali, proprietress of his village food shop. She's on an errand, but when she steps in to help the somewhat older man during a vulnerable moment, something registers; then they bond over a shared love of Kipling and the loss of their beloved spouses. Their friendship grows slowly, with the two well aware of their very different lives. Though born in England, Mrs. Ali is a member of the Pakistani immigrant community and is being pressured by her surly, religious nephew Abdul Wahid to sign over her business to him. The major belongs to a non-integrated golf club in their village and is girding himself for a messy battle with his sister-in-law Marjorie over a valuable hunting rifle that should rightfully have gone to him after Bertie's death. He also must contend with his grown son Roger, a callow, materialistic Londoner who appears in the village with a leggy American girlfriend and plans to purchase a weekend cottage for reasons that seem more complex than mere family unity. Add to that a single mum with a small boy who bears a striking resemblance to Abdul Wahid, and you have enough distractions to keep the mature sweethearts from taking it to the next level. But the major rallies and asks Mrs. Ali to accompany him to the annual club dance, which happens to have an ill-advised "Indian" theme. The event begins magically but ends disastrously, with the besotted major fearing he has lost his love forever. His only chance at winning her back is to commit to a bold sacrifice without any guarantees it will actually work. Unexpectedly entertaining, with a stiff-upper-lip hero who transcends stereotype, this good-hearted debut doesn't shy away from modern cultural and religious issues, even though they ultimately prove immaterial. (Kirkus Reviews, December 15, 2009) More information:

Wednesday, December 1, 2010

Eva Moves the Furniture by Margot LIvesey

Monday, December 13, 1 p.m.
Discussion Leader: Ellen Getreu

Her father and aunt lovingly raise Eva McEwen, whose
mother has died in childbirth. Eva has two ghosts, a girl
and a woman, whom she calls “the companions” that only
she can see. Though the “companions” are there more for
her protection than to cause harm, they also seem to be
able to manipulate a variety of events in her life.

Reserve your copy of Eva Moves the Furniture by Margot Livesey on ALIScat

Download the Readers' Packet for Eva Moves the Furniture (requires Adobe Reader software)

Reviews from the NovelistPlus database:

BookList:: Eva McEwen is the engaging central character in Livesey’s newest novel, set in Scotland in the early 1900s. Eva draws her first breath as her mother’s life ebbs away under the strain of a laborious birth. Raised by her father and the practical Aunt Lily, Eva grows to be quite a respectable woman, but throughout her life she keeps a closely guarded secret about the “companions” who come and go in her life at their leisure. These specters most commonly take the form of a woman and a young girl, and they can be helpful as well as mischievous, often underhandedly manipulating events in Eva’s life. Eva’s undaunted tolerance of these apparitions and their activities is tinged with a subtle humor, but with the added melancholic flavor of a lonely girl who cannot be fearful of entities whose realm is also home to her departed mother. An enjoyable read that explores the esoteric essence of life, death, and undying love. (Reviewed July 1, 2001) -- Elsa Gaztambide
Publishers Weekly:: /* Starred Review */ After Criminals and The Missing World , it should be no surprise that the immensely talented Livesey continues to juxtapose strange events with mundane daily activities, sending a jolt through her ordinary characters and settings. The wonder is that she can draw readers into her world so gently that the barriers between reality and the fantastic quickly fall. The first time the narrator Eva McEwen sees her "companions" she is six, and living near the Scottish town of Troon with her middle-aged father and her aunt, who came to raise Eva after her mother died in childbed. Though much loved, Eva is lonely, and when a woman who "shone as if she had been dipped in silver" and a young girl with long braids and freckles appear one afternoon in the garden, she is at first unaware that they are not corporeal. The companions, as she comes to call them, are not visible to others, however, and their purpose in her life seems unclear. Twice they save her from fatal harm; twice they destroy a romance; often they are comforting; sometimes they signal their presence by moving furniture. Eva works as a nurse in a Glasgow infirmary during WWII, but the burden of her secret keeps her from achieving intimacy with anyone. When she does confide in a man she loves, a brilliant surgeon, heartbreak ensues. She seeks solace in her mother's native village of Glenaird, where she marries and has a daughter. But in a poignant denouement, the significance of the companions is made clear. With remarkable control, Livesey presents the companions in matter-of-fact detail, eschewing frissons of horror and providing a lucid explanation of their presence. Her restraint and delicacy, and the reader's identification with the appealing Eva, result in a haunting drama. Agent, Amanda Urban. (Sept.) Forecast: An author tour and strong word of mouth should spark this novel's sales. Every mother who yearns to protect her child will relate to Eva and react emotionally to Livesey's moving story. --Staff (Reviewed July 30, 2001) (Publishers Weekly, vol 248, issue 31, p57)
Library Journal:: (The following is a combined review for TRYST; POLLY'S GHOST; and EVA MOVES THE FURNITURE) The ghost story as romance has no better example than (o.p.), in which Hilary, a British soldier killed in battle, falls in love with Sabrina, the young bookish woman who comes to live in his house with her professor father and spinster aunt. Get out your hankies when you near the end. The mainstreaming of ghost stories can further be seen in the novels of several contemporary writers, leading perhaps to a new subgenre, the domestic ghost story. is the story of Polly Baymiller's attempt—even after her death from giving birth to her seventh child, Tip—to cherish and comfort him in the midst of loneliness, sorrow, and the pains of everyday life. Another mother who yearns to be part of her child's life from beyond the grave is found in . Eva McEwen first sees the woman and child ("the companions") when she is a child and well before she realizes that no one else can see them. The role that these two (ghosts?) play in Eva's life varies between a benevolent protectiveness and occasional hurtfulness. Livesey has many cards up her sleeve, and it's not until the very end that the reader (and Eva) understands what part the pair play in Eva's life. --Nancy Pearl (Reviewed October 15, 2002) (Library Journal, vol 127, issue 17, p120)
Kirkus:: /* Starred Review */ A haunting and haunted fourth novel from Livesey (The Missing World, 2000, etc.), this about a woman whose life is accompanied by invisible "companions" who shape her destiny in ways both helpful and harmful.Narrator Eva McEwen's mother Barbara dies on the day of Eva's birth in 1920. When she's six, playing outside her home in the Scottish lowlands, Eva meets a silver-haired woman and a freckled girl she soon realizes can't be seen by others. Raised by her elderly father and his sister Lily (the first in a series of characters rendered with extraordinary subtlety and depth), the lonely girl takes comfort from her invisible friends but also realizes that "the presence of the companions in my life was like a hidden deformity: ugly, mysterious, and incomprehensible." The figures rescue her from menacing gypsies, but they also fling furniture around her room and get her fired from her first job. When Eva becomes a nurse in Glasgow during WWII and falls in love with plastic surgeon Samuel Rosenblum, the companions destroy her chance to marry him. Or do they? Livesey's precisely calibrated narrative, characteristically cognizant of human complexities and contradictions, reminds us that we are both subject to forces beyond our control and responsible for our lives. It may be that Eva chose to let Samuel go, though she grieves for him even after she marries kind schoolmaster Matthew and bears a daughter, Ruth. Guilt over leaving her father and Aunt Lily further shadows her life, and her mother Barbara's absence remains an aching wound. The radiant yet unsettling climax suggests that Barbara also had companions, and that Ruth will make her own choice about whether she needs this otherworldly support. This isn't a ghost story, but rather a searching examination of how we deal with our ghosts. Livesey's scrupulous prose, lyrical yet classically exact, is the perfect vehicle to convey her multilayered insights.Pitiless, deeply moving, and terrifying: another flawless work from an uncompromising artist. (Kirkus Reviews, June 15, 2001)

Margot Livesey talks about her writing, focusing on her 2009 book The House on Fortune Street.

Tuesday, October 19, 2010

Cutting for Stone by Abraham Verghese

Discussion leader: Edna Ritzenberg
Monday, November 15, 2 p.m. (please note time change)

Sister Mary Joseph Praise, a novice, pious nun leaves the south Indian state of Kerala in 1947 for a missionary post in Yemen. During the sea voyage, she saves the life of an English doctor, Thomas Stone. They meet up again at Missing Hospital in Addis Ababa. Seven years later, Sister Praise dies giving birth to twin boys: Shiva and Marion.

Reserve your copy of Cutting for Stone on ALIScat.org

Reviews from the NoveList Plus database:

Publishers Weekly:
: /* Starred Review */ Lauded for his sensitive memoir (My Own Country ) about his time as a doctor in eastern Tennessee at the onset of the AIDS epidemic in the ’80s, Verghese turns his formidable talents to fiction, mining his own life and experiences in a magnificent, sweeping novel that moves from India to Ethiopia to an inner-city hospital in New York City over decades and generations. Sister Mary Joseph Praise, a devout young nun, leaves the south Indian state of Kerala in 1947 for a missionary post in Yemen. During the arduous sea voyage, she saves the life of an English doctor bound for Ethiopia, Thomas Stone, who becomes a key player in her destiny when they meet up again at Missing Hospital in Addis Ababa. Seven years later, Sister Praise dies birthing twin boys: Shiva and Marion, the latter narrating his own and his brother’s long, dramatic, biblical story set against the backdrop of political turmoil in Ethiopia, the life of the hospital compound in which they grow up and the love story of their adopted parents, both doctors at Missing. The boys become doctors as well and Verghese’s weaving of the practice of medicine into the narrative is fascinating even as the story bobs and weaves with the power and coincidences of the best 19th-century novel. (Feb.) --Staff (Reviewed October 27, 2008) (Publishers Weekly, vol 255, issue 43, p32)


Library Journal:: Focusing on the world of medicine, this epic first novel by well-known doctor/author Verghese (My Own Country ) follows a man on a mythic quest to find his father. It begins with the dramatic birth of twins slightly joined at the skull, their father serving as surgeon and their mother dying on the table. The horrorstruck father vanishes, and the now separated boys are raised by two Indian doctors living on the grounds of a mission hospital in early 1950s Ethiopia. The boys both gravitate toward medical practice, with Marion the more studious one and Shiva a moody genius and loner. Also living on the hospital grounds is Genet, daughter of one of the maids, who grows up to be a beautiful and mysterious young woman and a source of ruinous competition between the brothers. After Marion is forced to flee the country for political reasons, he begins his medical residency at a poor hospital in New York City, and the past catches up with him. The medical background is fascinating as the author delves into fairly technical areas of human anatomy and surgical procedure. This novel succeeds on many levels and is recommended for all collections. [See Prepub Alert, LJ 10/1/08.]—Jim Coan, SUNY Coll. at Oneonta --Jim Coan (Reviewed January 15, 2009) (Library Journal, vol 134, issue 1, p85)


Kirkus:: There's a mystery, a coming-of-age, abundant melodrama and even more abundant medical lore in this idiosyncratic first novel from a doctor best known for the memoir My Own Country (1994).The nun is struggling to give birth in the hospital. The surgeon (is he also the father?) dithers. The late-arriving OB-GYN takes charge, losing the mother but saving her babies, identical twins. We are in Addis Ababa, Ethiopia, in 1954. The Indian nun, Sister Mary Joseph Praise, was a trained nurse who had met the British surgeon Thomas Stone on a sea voyage ministering to passengers dying of typhus. She then served as his assistant for seven years. The emotionally repressed Stone never declared his love for her; had they really done the deed? After the delivery, Stone rejects the babies and leaves Ethiopia. This is good news for Hema (Dr. Hemalatha, the Indian gynecologist), who becomes their surrogate mother and names them Shiva and Marion. When Shiva stops breathing, Dr. Ghosh (another Indian) diagnoses his apnea; again, a medical emergency throws two characters together. Ghosh and Hema marry and make a happy family of four. Marion eventually emerges as narrator. "Where but in medicine," he asks, "might our conjoined, matricidal, patrifugal, twisted fate be explained?" The question is key, revealing Verghese's intent: a family saga in the context of medicine. The ambition is laudable, but too often accounts of operations—a bowel obstruction here, a vasectomy there—overwhelm the narrative. Characterization suffers. The boys' Ethiopian identity goes unexplored. Shiva is an enigma, though it's no surprise he'll have a medical career, like his brother, though far less orthodox. They become estranged over a girl, and eventually Marion leaves for America and an internship in the Bronx (the final, most suspenseful section). Once again a medical emergency defines the characters, though they are not large enough to fill the positively operatic roles Verghese has ordained for them.A bold but flawed debut novel. (Kirkus Reviews, December 15, 2008)

Interview with Abraham Verghese (Random House.com)

Cutting for Stone at Barnes and Noble.com

Erica Wagner's NY Times Book Review, 2/6/09

Monday, September 13, 2010

The Help by Kathryn Stockett

Discussion leader: Candace Plotsker-Herman

Date: October 18, 2010 Time: 1 p.m.

Eugenia 'Skeeter' Phelan returns home to Jackson, Mississippi from college in 1962, armed with a degree in English, ready to become a writer. She is advised to begin sharpening her skills on writing about what disturbs her.

Reserve Your Copy of The Help by Kathryn Stockett (ALIScat)

Reviews from the NoveList Plus database:

Publishers Weekly:: /* Starred Review */ What perfect timing for this optimistic, uplifting debut novel (and maiden publication of Amy Einhorn's new imprint) set during the nascent civil rights movement in Jackson, Miss., where black women were trusted to raise white children but not to polish the household silver. Eugenia “Skeeter” Phelan is just home from college in 1962, and, anxious to become a writer, is advised to hone her chops by writing “about what disturbs you.” The budding social activist begins to collect the stories of the black women on whom the country club sets relies—and mistrusts—enlisting the help of Aibileen, a maid who's raised 17 children, and Aibileen's best friend Minny, who's found herself unemployed more than a few times after mouthing off to her white employers. The book Skeeter puts together based on their stories is scathing and shocking, bringing pride and hope to the black community, while giving Skeeter the courage to break down her personal boundaries and pursue her dreams. Assured and layered, full of heart and history, this one has bestseller written all over it. (Feb.) --Staff (Reviewed December 1, 2008) (Publishers Weekly, vol 255, issue 48, p1)
Library Journal:: /* Starred Review */ Set in Stockett's native Jackson, MS, in the early 1960s, this first novel adopts the complicated theme of blacks and whites living in a segregated South. A century after the Emancipation Proclamation, black maids raised white children and ran households but were paid poorly, often had to use separate toilets from the family, and watched the children they cared for commit bigotry. In Stockett's narrative, Miss Skeeter, a young white woman, is a naive, aspiring writer who wants to create a series of interviews with local black maids. Even if they're published anonymously, the risk is great; still, Aibileen and Minny agree to participate. Tension pervades the novel as its events are told by these three memorable women. Is this an easy book to read? No, but it is surely worth reading. It may even stir things up as readers in Jackson and beyond question their own discrimination and intolerance in the past and present. [See Prepub Alert, LJ 10/1/08.]—Rebecca Kelm, Northern Kentucky Univ. Lib., Highland Heights --Rebecca Kelm (Reviewed January 15, 2009) (Library Journal, vol 134, issue 1, p83)
Kirkus:: The relationships between white middle-class women and their black maids in Jackson, Miss., circa 1962, reflect larger issues of racial upheaval in Mississippi-native Stockett's ambitious first novel.Still unmarried, to her mother's dismay, recent Ole Miss graduate Skeeter returns to Jackson longing to be a serious writer. While playing bridge with her friends Hilly and Elizabeth, she asks Elizabeth's seemingly docile maid Aibileen for housekeeping advice to fill the column she's been hired to pen for a local paper. The two women begin what Skeeter considers a semi-friendship, but Aibileen, mourning her son's recent death and devoted to Elizabeth's neglected young daughter, is careful what she shares. Aibileen's good friend Minnie, who works for Hilly's increasingly senile mother, is less adept at playing the subservient game than Aibileen. When Hilly, an aggressively racist social climber, fires and then blackballs her for speaking too freely, Minnie's audacious act of vengeance almost destroys her livelihood. Unlike oblivious Elizabeth and vicious Hilly, Skeeter is at the verge of enlightenment. Encouraged by a New York editor, she decides to write a book about the experience of black maids and enlists Aibileen's help. For Skeeter the book is primarily a chance to prove herself as a writer. The stakes are much higher for the black women who put their lives on the line by telling their true stories. Although the expos is published anonymously, the town's social fabric is permanently torn. Stockett uses telling details to capture the era and does not shy from showing Skeeter's dangerous naivet. Skeeter's narration is alive with complexity—her loyalty to her traditional Southern mother remains even after she learns why the beloved black maid who raised her has disappeared. In contrast, Stockett never truly gets inside Aibileen and Minnie's heads (a risk the author acknowledges in her postscript). The scenes written in their voices verge on patronizing.This genuine page-turner offers a whiff of white liberal self-congratulation that won't hurt its appeal and probably spells big success. (Kirkus Reviews, January 1, 2009)

More Information:

Tuesday, August 3, 2010

Let the Great World Spin by Colum McCann

Date: September 13, 2010
Time: 1:00 PM
Discussion leader: Jane Isaacson Shapiro

Dublin born writer Colum McCann spins a story hinged on French high-wire acrobat, Philippe Petit's illicit 1974 high-wire walk between the twin towers of the World Trade Center. This event is the touchstone for stories of ten varied, intense lives; a street priest, heroin-addicted hookers, mothers mourning sons lost in war, young artists, and a Park Avenue judge. Their lives are ordinary yet unforgettable; overlapping and sometimes converging.

Reserve your copy of Let the Great World Spin

Readers' Packet for Let the Great World Spin

Reviews from the NovelistPlus Database

Booklist Review/*Starred Review*/ After the rigors of Zoli (2007), his historical tale of Romani life, best-selling literary novelist McCann allows himself more artistic freedom in his shimmering, shattering fifth novel. It begins on August 7, 1974, when New Yorkers are stopped in their tracks by the sight of a man walking between the towers of the World Trade Center. Yes, it’s Philippe Petit, the subject of the Academy Award–winning documentary Man on Wire and one of McCann’s many intense and valiant characters. The cast also includes two Irish brothers: Corrigan, a radical monk, and Ciaran, who follows him to the blasted Bronx, where he encounters resilient prostitute Tillie and her spirited daughter Jazzlyn. Gloria lives in the same housing project, and she befriends Claire of Park Avenue as they mourn the deaths of their sons in Vietnam. McCann’s hallucinatory descriptions of a great city tattooed and besmirched with graffiti, blood, and drugs in the midst of a financial freefall are eerie in their edgy beauty, chilling reminders of how quickly civilization unravels. Here, too, are portals onto war, the justice system, and the dawning of the cyber age. In McCann’s wise and elegiac novel of origins and consequences, each of his finely drawn, unexpectedly connected characters balances above an abyss, evincing great courage with every step. -- Seaman, Donna (Reviewed 05-01-2009) (Booklist, vol 105, number 17, p61)
: Publishers Weekly ReviewMcCann's sweeping new novel hinges on Philippe Petit's illicit 1974 high-wire walk between the twin towers. It is the aftermath, in which Petit appears in the courtroom of Judge Solomon Soderberg, that sets events into motion. Solomon, anxious to get to Petit, quickly dispenses with a petty larceny involving mother/daughter hookers Tillie and Jazzlyn Henderson. Jazzlyn is let go, but is killed on the way home in a traffic accident. Also killed is John Corrigan, a priest who was giving her a ride. The other driver, an artist named Blaine, drives away, and the next day his wife, Lara, feeling guilty, tries to check on the victims, leading her to meet John's brother, with whom she'll form an enduring bond. Meanwhile, Solomon's wife, Claire, meets with a group of mothers who have lost sons in Vietnam. One of them, Gloria, lives in the same building where John lived, which is how Claire, taking Gloria home, witnesses a small salvation. McCann's dogged, DeLillo-like ambition to show American magic and dread sometimes comes unfocused—John Corrigan in particular never seems real—but he succeeds in giving us a high-wire performance of style and heart. (June) --Staff (Reviewed March 9, 2009) (Publishers Weekly, vol 256, issue 10, p24)
: Kirkus ReviewsThe famous 1974 tightrope walk between the World Trade Center towers is a central motif in this unwieldy paean to the adopted city of Dublin-born McCann (Zoli, 2007, etc.).Told by a succession of narrators representing diverse social strata, the novel recalls Tom Wolfe's The Bonfire of the Vanities (1987), except that where Bonfire was deeply cynical about Reagan-era New York, McCann's take on the grittier, 1970s city is deadly earnest. On the day that "the tightrope walker" (never named, but obviously modeled on Philippe Petit) strolls between the Twin Towers, other New Yorkers are performing quieter acts of courage. Ciaran has come from Dublin to the Bronx to rescue his brother Corrigan, a monk whose ministry involves providing shelter and respite to an impromptu congregation of freeway underpass hookers. Corrigan chastely yearns for Adelita, his co-worker at a nursing home. Claire, heiress wife of Solomon, a judge at the "Shithouse" (Manhattan criminal court), has joined a support group of bereaved mothers whose sons died in the Vietnam War. With much trepidation, she hosts the group—including Gloria, Corrigan's neighbor and the only African-American member—at her Park Avenue penthouse. Two of Corrigan's prostitute flock, Jazzlyn and her mother Tillie, are picked up on an outstanding warrant, and he accompanies them to their arraignment in Solomon's courtroom, where the newly arrested sky-walker is among those waiting to plead. Cocaine-addled painters Blaine and Lara, once again fleeing the Manhattan art scene, also flee the accident scene after their classic car clips Corrigan's van from the rear as he's driving Jazzlyn home. (Tillie, having taken the rap for her daughter, is in jail.) Peripheral characters command occasional chapters as well, and this series of linked stories never really gels as a novel. Unfocused and overlong, though written with verve, empathy and stylistic mastery. (Kirkus Reviews, May 1, 2009)