Long Island Reads 2013
SUTTON
by J.R. Moehringer
Discussion Date: Monday, April 22 at 1:00 PM
Discussion Leader: Candace Plotsker-Herman
A fast-paced, fictional account of William Francis Sutton, America's most successful bank robber and the first criminal to appear on the FBI's most-wanted list. Blending extensive research with vivid imagination, Pulitzer Prize-winner J.R. Moehringer (author of The Tender Bar) brings Willie Sutton back to life.
BookList:
/* Starred Review */ When Willie Sutton, the Babe Ruth
of bank robbers, was released from Attica on Christmas Eve 1969, he had
stolen more than $2 million from banks, engineered three dazzling
prison breaks, and become a folk hero to thousands of cash-strapped
Americans who had weathered three serious recessions while the banks
rode high. Sutton was 68 and in failing health but agreed to do an
interview. This is Moehringer’s fictional take on that real-life event
as Sutton, gruffly addressing the reporter and photographer as “kids,”
is driven all over New York City, visiting the places that shaped him
for good or ill. As Sutton is consumed by his memories, Moehringer (The
Tender Bar, 2005) relays, in electrifying prose, the highs and lows of
Sutton’s dramatic life, from the thrill of the heist and his great,
doomed love affair to the brutal interrogations by cops and the hell of
years spent in solitary confinement. Readers will be riveted by this
colorful portrayal of a life in crime spurred by a hatred for banks, but
Moehringer, in his first novel, isn’t content to stop there. He takes
it several layers deeper, probing the psyche of an enigmatic man who had
a genius for thievery and an even greater capacity for self-delusion.
-- Wilkinson, Joanne (Reviewed 08-01-2012) (Booklist, vol 108, number
22, p36)
Publishers Weekly:
Moehringer, a Pulitzer Prize winner for feature writing
in 2000, brings infamous bank robber Willie “The Actor” Sutton to life
in his inventive debut novel (after the memoir The Tender Bar). True to
history, the ailing 68-year-old Sutton was released from prison on
Christmas Eve 1969 and spent the following day with a reporter. Though
the journalist’s actual take on that day revealed little, Moehringer
uses the excursion as an entrée into Sutton’s dramatic life. The ex-con
revisits old haunts, recalls successful and failed heists, and
reminisces about the woman he sought always to impress. Alternating
between Christmas Day and Sutton’s earlier years, Moehringer stays in
the present tense, making the action immediate, but the shifts in time
easy to miss. Nevertheless, he paints a mesmerizing portrait of a
remarkable man: a talented thief, an aspiring novelist, and a student of
the classics (“Dante, Plato, Shakespeare, Freud”) even in prison, where
he spent half his life. The author’s eye for detail and sense of place
make every stop on Sutton’s internal and external journeys resonate—from
smoking a Chesterfield to Sutton’s first sight of the moon as a free
man, every scene is saturated with life. Agent: Mort Janklow, Janklow
& Nesbit. (Sept.) --Staff (Reviewed July 30, 2012) (Publishers
Weekly, vol 259, issue 31, p)
Library Journal:
They called bank robber Willie Sutton (1901–1980) "The
Actor" because he committed many of his robberies in costume. Although
he spent half of his adult life in prison, Sutton had one of the
longest, most successful criminal careers ever, with crimes spanning 40
years and netting $2 million in unrecovered funds. The public loved him;
Willie robbed banks, not people, and banks weren't all that popular
during the Depression. He was always good copy, articulate and colorful.
Writing about Willie's life has its risks: Sutton penned two
autobiographies but changed his story so often that he ended up making
it more confusing than it was to start. In his fiction debut, Moehringer
(The Tender Bar ) brings his considerable skills as a Pulitzer
Prize-winning investigative reporter to the task and for the most part
succeeds. The novel loses momentum toward the end, but this reflects
more the murkiness of Sutton's private history than it does Moehringer's
talent as an author. VERDICT History lovers will enjoy this fictional
biography of a modern icon of crime. [See Prepub Alert, 6/15/12.]— David
Keymer, Modesto, CA --David Keymer (Reviewed August 1, 2012) (Library
Journal, vol 137, issue 13, p87)
Kirkus:
/* Starred Review */ A "non-fiction novel" that takes us
far beyond Willie Sutton's clever one-liners about banks and deeply
into his life. Born in Irish Town in Brooklyn, Willie never quite fit
into his own family. His father was a taciturn blacksmith at a time when
automobiles were starting to become the rage, and Willie's brothers had
an unaccountable hatred for their younger sibling. Willie was smart and
sensitive but came of age during some parlous economic times and
considered banks and bankers the symptom of life as a rigged game.
Moehringer also depicts Willie as a hopeless romantic who falls deeply
in love with Bess Endner, daughter of a rich shipyard owner. After the
brief exhilaration of a robbery at the shipyard, abetted by Bess, Willie
and his cronies are caught and sentenced to probation, and thus begins a
life on the outside of social respectability. By the 1930s, Willie is
the most famous bank robber in the country, known in part for his
gentility and the way in which he approaches his craft. He's never loud
or violent but instead devoted to artful disguises and making clean and
quiet getaways (hence his nickname, the Actor). Not everything works
smoothly, of course, for he's incarcerated for many years, but he
ironically becomes something of a folk hero for breaking out of several
prisons. His final release, at Christmas in 1969, following a 17-year
stretch in the slammer, has him retracing his past in the company of a
reporter and photographer. Moehringer cleverly presents the antiphonal
voices of Willie in the present (i.e., at the time of his release) and
Willie in the past to give a rich accounting of his life, including his
love for the works of Plato, Aristotle, Lucretius, Freud, Jung and
Joyce. Whatever else you can say about Willie, in prison he got an
excellent education. A captivating and absorbing read.(Kirkus Reviews,
September 1, 2012)
