BOOK DISCUSSION DATE AND TIME: Monday, January 13, 2014, at 1:00 PM
DISCUSSION LEADER: Candace Plotsker-Herman
Antiquarian book enthusiast Peter Byerly discovers an eighteenth-century
study of Shakespeare forgeries that contains a Victorian portrait
strongly resembling his late wife, a finding that sparks an obsessive
search through the bard's historical period.
REVIEWS
Publishers Weekly:
Lovett’s debut is a century-spanning web of literary mystery that ensnares American Peter Byerly, a rare bookseller. Living abroad in the months after the death of his wife Amanda, Peter is mystified to discover a watercolor uncannily resembling her—especially since it’s from the Victorian era. Vowing to learn more about the obscure artist—“B.B.”—Peter stumbles into the argument about the authorship of Shakespeare’s work, which might contain a link to the mysterious painter. “The mystery of the watercolor’s origins felt deeply personal and Peter could already feel curiosity and grief melding into obsession.” Lovett’s novel skips in time to various periods in Peter’s life, and even before it, extending as far back as 1592 when Shakespeare and his cohorts haunted taverns, and to 1879 when folios of his plays became prized possessions. As Peter continues his sleuthing, he finds himself a potential suspect in a murder investigation and a “hundred-and-thirty-year-old scandal” with “the most valuable relic in the history of English literature” at its core. Although the discussion of the provenance of Shakespeare’s plays will appeal to bibliophiles, the frequent flashbacks to bygone days interrupt the narrative flow. In addition, the characters’ dialogue, while full of passion for letters, is wooden and uninspired. Agent: David Gernert, the Gernert Agency. (June) --Staff (Reviewed April 29, 2013) (Publishers Weekly, vol 260, issue 17, p)
Library Journal:
/* Starred Review */ Peter Byerly cut himself off from the world to recover from the loss of his wife, Amanda, who died nine months ago. An American antiquarian bookseller now living in England, Peter returns to work and discovers, in an 18th-century book about Shakespeare forgeries, a Victorian miniature portrait of a woman who bears an uncanny resemblance to his late wife. His research to identify the watercolor's origins uncovers what could be the holy grail of Shakespeare studies—a book annotated by the Bard at the time he was writing A Winter's Tale —and leads Peter on a dangerous quest to prove the book's authenticity. Interwoven throughout are flashbacks to Peter's early relationship with Amanda and chapters on the book's travels through many hands since 1592. VERDICT Drawing on debates about the authorship of Shakespeare's plays as well his own experience in the cutthroat world of antiquarian books, debut author Lovett has crafted a gripping literary mystery that is compulsively readable until the thrilling end. Recommended for fans of Geraldine Brooks's People of the Book , Shakespeare aficionados, and bibliophiles. [See Prepub Alert, 12/7/12.]— Katie Lawrence, Chicago --Katie Lawrence (Reviewed April 15, 2013) (Library Journal, vol 138, issue 17, p75)
Kirkus:
(The following is a combined review for THE BOOKMAN' S TALE) A pleasurably escapist trans-Atlantic mystery is intricately layered with plots, murders, feuds, romances, forgeries--and antiquarian book dealing. Lovett's engagingly traditional debut offers flavors of notable British antecedents--Agatha Christie, Alfred Hitchcock, Noel Coward--while spinning tales in several different eras, all centered on the book that supposedly inspired Shakespeare's play A Winter's Tale. The novel's hero is insecure, grieving, widowed bookseller Peter Byerly, whose scholarship to Ridgefield University in North Carolina introduced him to his twin passions: his future wife, Amanda, and old books. Peter's wooing and winning of Amanda is one of the novel's three concurrent plot strands, the others (both set in the U.K.) being a here-and-now hunt and chase and a through-the-ages tracing of a volume of Pandosto, a play by Robert Greene which came to be annotated by Shakespeare and, if found and exposed in modern times, would answer an earth-shattering (to some) question of scholarship: Did Shakespeare really write his plays or not? Peter's discovery, in a bookshop, of a Victorian watercolor portrait seemingly of his dead wife sets this sizable ball rolling and leads through new female friendships, murder scenes and tombs to a pleasing-if-predictable country-house denouement. A cheerily old-fashioned entertainment.(Kirkus Reviews, April 15, 2013)
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